Happy Halloween

Everything looked sinister through my camera lens this weekend. Except for the fox :)

Here it is: Halloween in pictures (no costumes allowed).

Gail Caldwell's Book

Last weekend I read three books. Today I want to talk about the book, Let's Take the Long Way Home by Gail Caldwell. It is the story of Gail's friendship with Caroline Knapp, author of Drinking: A Love Story. The book follows Caroline's battle with cancer and Caldwell's care for her and subsequent sense of loss at her death.

At the beginning of the book, I felt that Caldwell was being self-absorbed, but as I read on and looked closer at their burgeoning relationship, I fell in love with the book. Toward the end I was underlining passages and turning down pages.

This in particular sticks in my mind:

"Suffering is what changes the endgame, changes death's mantle from black to white. It is a badly lit corridor outside of time, a place of crushing weariness, the only thing large enough to bully you into holding the door for death."

I've read this at least twenty times, and its profundity is never diminished. Because I, sitting in the hospital with my dad one of the nights after his first brain surgery, wished for his death. I couldn't bear to see his pain and defeat and depression. And I watched the heart monitor rise and fall and thought, "Please flat-line. Please let's end this right now."

I haven't felt exactly guilty for thinking this, but I did feel uneasy about wishing for my dad's death. Suffering changed the endgame, though, just like Caldwell says, and I welcomed death into the room.

Lake Bonaparte

This past weekend, my daughter and I went to Lake Bonaparte in upstate New York to do a photography workshop with Jan Phillips (that's Jan in the photograph). This area of New York is bucolic and peaceful this time of year and it was good to get my mind off my troubles.

There were four other women there, from as far away as Alaska and as close a a couple of hours away by car. Hazel graduated first in her class of 100,000 at the University of Bombay. Lisa is the mother of adopted daughters from China. Sandy is a chaplain with an artist's eye and a tale-teller's voice. Lura, quiet and calm, has lived in some very exotic places and came from Alaska via San Diego for the weekend. We spent the days out and about shooting scenery, each other, and in some cases being very paparazzi-like! My daughter was a photographer's dream, lying in the freezing water, hiding in the cornstalks.



One of our goals for the weekend was to get a photograph of ourselves that we could use for promotional purposes. The first full day, we paired up and set out in the rain and wind. My partner was Lura. She was methodical and careful about her shots. I was more haphazard. When we got back to the house and looked at what we'd gotten that day, I hated how I looked in every shot. Nothing wrong with Lura's eyes; it was all in my vision of myself.

The next day, I decided to do something different. I asked Lura if she would photograph me talking about what has been going on lately in my life. The breast cancer and my dad's death. And so I sat, wrapped in a beautiful shawl, cried my eyes out, and Lura shot photo after photo.

As we looked at the photographs that night, I was proud of myself for letting her shoot my sadness. And the others were moved too, I think.

At one of our ceremonies, I released my fear of radiation. I've felt calmer since then. And by stilling my grief and fears in front of the camera, I feel better able to move on. I want my sadness and my breast cancer behind me. I'm tired of saying, "As soon as this is over...."

I'm so grateful to Lura for being present and a witness for me that day. I'm grateful that I got to know the other amazing women. I'm grateful that I was with my daughter for the weekend.

Thanks to all of you - Jan, Jean, Lura, Lisa, Sandy, and Hazel - for everything.

Reunion Weekend

This weekend I went to my 40th high school reunion. And for all the pictures I've taken over the past few years, I didn't not take one photograph the whole time I was with my friends. Thanks to all those who did, and I look forward to seeing them on Facebook.

I love, love, love my reunions, getting lots of hugs and kisses being one of my favorite things! I can understand though, those who shy away from them. It takes guts to go to one. First of all, we all look just enough the same that the face is familiar, but I have to glance at the name tags to be sure that I have the right person sometimes. You cannot be a wallflower at a reunion - you have to put yourself out there time and time again.

For the first time, I didn't agonize about what to wear or what to say about my life. I feel great about me, even if I don't weight 120 pounds anymore, and I've pretty much reached my peak professionally. I have interesting hobbies, talented and beautiful kids, and a husband who looks good standing by my side. And for the first time in forty years, I only put my foot in my mouth once, thanks to the fact that I wasn't drinking!

One of the most moving moments of the weekend was my visit to the memorial table. The organizers had taken some time and given some thought to this presentation, and there was a candelabra and small white place cards with each deceased class member's name. Some people I knew had died, but others were a shock. I knew the first person in our class who died, Ricky, and the most recent, Steve, since the second grade.

Seeing everyone made me greedy to see them more. We have moved beyond the facts - where we live, how many children/grandchildren we have, the lives and deaths of our parents, whether we're retired or still plugging away. We could get into some depth now, if there was only more time.

Yesterday my husband and I did a little cleaning at my dad's. It was very hard to walk into his house on Friday; his absence was palpable ("Dad? DAD?" "Hey!"). But as the weekend progressed, I distracted myself with family and friends and found it easier to be there. One excellent moment (you know how I am about numbers!) was when I noticed this clock on the yard sale pile:



It was a weekend of friends, nostalgia, sadness, longing for our youth and reveling in our present age. Thank you, friends.

How I've Changed

We all have them: friends who think their opinion is the only one that matters. Let's take my husband for example, mainly because he never reads my blog. I say, "I love love love disco music!" He lowers his head and raises his eyebrows. "You love disco music?" And he means how could anybody in their right mind, with any taste at all in music, love disco?

I have another friend, who may or may not read my blog, who does this about books. "I read that book you suggested," she said the other day, and her tone implied total disappointment in my choice of reading material.

When I was younger, and less sure of myself, I would think, "Gosh, if this person, who knows music/books doesn't like it, I am probably stupid for liking it." And the next time someone said they loved disco music, I lowered my head, raised my eyebrows, and snorted.

Now? "Screw you and your lack of versatility/taste/acceptance of diversity! I still love disco music. Think I'll turn on Donna Summer right this very minute," or "That book was awesome! And I know an awesome book when I read one."

See, I know I make good choices now, whether it's about books or music or life. They may not be the things everyone else likes, but I choose on the basis of what makes me feel good. And that's all that matters.

A Poem and A Dream

Last night I spent time in my creative space making cards for some friends. I had the music going and felt very peaceful. It was nice.

As I headed upstairs, I glanced at a book I bought at a used book store entitled, Our World. It is photographs by Molly Malone Cook with text by Mary Oliver. I bought it after a workshop with Zelda Lockhart. She suggested that we take a few words from a poem and free-write on them. I love writing from photographs, so the book seemed just the perfect prompt provider.

I opened the book to this poem:

Walking Home from Oak-Head

There is something
about the snow-laden sky
in winter
in the late afternoon

that brings to the heart elation
and the lovely meaninglessness
of time.
Whenever I get home - whenever -

somebody loves me there.
Meanwhile
I stand in the same dark peace
as any pine tree,

or wander on slowly
like the still unhurried wind,
waiting,
as for a gift,

for the snow to begin
which it does
at first casually,
then, irrepressibly.

Wherever else I live -
in music, in words,
in the fires of the heart,
I abide just as deeply

in this nameless, indivisible place,
this world,
which is falling apart now,
which is white and wild,

which is faithful beyond all our expressions of faith,
our deepest prayers.
Don't worry, sooner or later I'll be home.
Red-cheeked from the roused wind,

I'll stand in the doorway
stamping my boots and slapping my hands,
my shoulders
covered with stars.
~ Mary Oliver ~

My dad came to me in a dream last night. We walked around his buildings and talked and he gave his approval of some of the things we had decided to do since he died. In one of the scenes of the dream, there was a movie of us as young children showing on the wall.

The poem or the thoughts of those for whom I was making cards - I'm not sure what brought him into my night wandering. But this morning I did feel comforted.

My Dad and the USofA

It doesn't take much right now to bring me to tears about my dad's death. Dealing with the surgeries and upcoming treatment, photographs, music. The song, "The Weary Kind" from the movie "Crazy Heart" does it every time. During the days when we were exhausted, spending hour after hour by my dad's hospital bed, I played this song every time I got in the car. These lyrics particularly speak to my state of mind:

Somehow this don’t feel like home anymore

And this ain’t no place for the weary kind
And this ain’t no place to lose your mind
And this ain’t no place to fall behind
Pick up your crazy heart and give it one more try

The last time my dad went into surgery, as I may have said before, he told my sister what he wanted at his funeral. And I keep coming back to one thing he requested. He said, "I want them to play 'God Bless America'." And then he started crying. "I love this country so much."

Of course he was a member of the Greatest Generation, and he did love all things American. He never understood why I would buy a German or Japanese car. He loved war movies and was proud of his time in the service. He criticized the government with care, and never hesitated to remind us that we lived in the greatest country in the world. He believed the US was the peacekeeper and caretaker of the world.

We buried him with military honors, draped his coffin in the American flag. It was folded by a military guard and presented to my brother, his only son.

Back at his house, after the funeral, I noticed a small American flag by the chair he had been using after he broke his hip. It tore me up.

When I get in my car, I can turn off the music. I can ignore the photographs and don't have to play the voice mail where he tells me that Joshua Bell is on PBS and to be sure to watch it. But almost everywhere I go, there are American flags and I'm reminded of my dad and the way he loved our country.

Photographs

I spent the weekend in the darkroom developing the old negatives from my dad's house. I explained the development process in this post.

When I have arrived at the perfect exposure setting and time, I can run several pictures rather quickly. The minutes-in-solution times can be synchronized so I'm moving the photographs through in production. It's easy to get caught up in running several because I'm so pleased to be producing the actual picture.

At home, I will have anywhere from five to seven prints of a photograph. Then the question becomes, "What do I do with all the prints?" This has led me to examine why we take pictures in the first place.

1. We want to remember an event: who was there, what the venue looked like, what the activities were.
2. We want to document something, for instance a house we are building for a client.
3. We want to measure a life through the years.
4. We want to capture something beautiful, grotesque, intriguing.

And other reasons.

In developing these old negatives, I have other motivation.

Mostly I want to see emotion in people's faces. There is an interaction between the photographer and the subject. I've seen the happiness and irritation of my subjects many times. In a picture of my mom and dad, both of them impeccably dressed (Easter?), she is smiling broadly, he is not. What does this tell me about them? Is it something about their whole relationship or was it just a second of their life? Who took the picture? In an oddly parallel photo, my brother and sister are in dress-up clothes. She has on high heels and he is a cowboy with a play guitar. She is smiling broadly; he is straight-faced.

There we are on the steps of our house; why is my next-to-the-youngest sister not in the photo? In another photo I look about four years old and I stand apart from my sister as she sits in a rocking chair holding my infant brother, my mother protectively close at hand. I look straight at the camera. What am I thinking?

Pictures are chronicles not just of our lives, but our relationships, interests, happy and sad events. I'm fascinated by what I'm discovering in a dark room.

New York Trip

This weekend we met our daughters in New York. It was a wonderful weekend with mostly cool and sunny weather. Usually on returning from a trip, I would call my dad and tell him all about it. He would love hearing the details. So this post is what I would tell him if I could.

First I would tell him about the view from the hotel, where every morning the sun came up, touching the tops of the high rise buildings. And about the sign that said, "Now more than ever, you need to be world wise."



We would laugh about the petty arguments and lengthy discussions we had about where to eat and shop. I'd tell him about what I learned: that we really don't have to spend every minute together for it to be a successful weekend. I would mention the museum where the exhibit consisted of things made from feathers and bones and dandelions. And the mall where a nude giant man and woman graced the lobby.



I would talk about the city lights and the fast-moving cars and people, the crowded streets and the alluring and repulsive smells of the city.



We met the girls' boyfriends, and we liked them, I'd say. Each well-suited to the daughter's personality. All three boyfriends are kind and good to them. He would know that a parent always wants the best for their kids.



Althought he never read this blog, I would talk about this post where I speculated about how my daughters' apartments looked, and how they were just as I imagined them.





I wish you could have been with us, I'd say, when we went to see the play Fela! The dancers and music were out of this world, and the story was disturbing (yes, children, it was disturbing!) and he'd say he bet he would have liked it. You need to go with us next time, Dad. Yeah, I will, he'd say, but we both knew he wouldn't go.



I'd tell him about the beautiful cathedral we went in...



...and that I lit a candle just for him.



At the end of the conversation, I'd tell him how hard it is to say good-bye to everybody after a nice weekend, and he'd know just what I meant.

C-r-a-s-h

This week, I feel like I've finally crashed from all that has been going on. I've been so tired I can hardly stay awake in the afternoons when I get home from work, and yesterday, on my day off, I did basically nothing except for a few loads of laundry. At 8:00, I'm ready to get in my pajamas and go to bed for the night.

I still have decisions to make about my breast cancer treatment and am ready to move forward with everything and get it behind me. It has been hanging over my head since right after my dad fell and broke his hip. I'm just now starting to say, "I had cancer". But I can't seem to gather the right or enough information to make a decision about which treatment to do. Tuesday is d-day for coming up with the plan; thank goodness for deadlines.

I've read one book in a month and a half (I usually read 3-5 books a month), and that was Suzanne Collins' book, Mockingjay, something I've been waiting for since December. It was a perfect re-entry into reading: rapid-paced and engrossing without requiring a lot of concentration, something I'm low on.

I need to get my groove back, fellas. Weary is not fun.

Long Weekend in Pictures

Thursday Night:



Friday Night:



Saturday Night:



Sunday Night:



A wonderful weekend.

Losing Memories. And Finding Them.

(Yeah, I know the photo is a little crooked - my dad took it!)

The other day I was trying to remember the name of my first grade teacher. I couldn't pull it out of my brain. I realized something: my dad is the only one who might have known the answer.

So it seems, that along with all the things I forgot to ask him about our relatives--like who are those people in the pictures in the trunk, why did you save this obituary, tell me about receiving this honor--there are a few things I needed to know about me that are now gone. The one person who remembers my childhood intimately is dead.

This gave me a very forlorn feeling.

I was talking to my youngest sister about this, telling her I had tried to find the teacher's name on the internet and couldn't. She said, "I know where you might can find it. There's probably a report card in the trunk from first grade."

I haven't looked yet, but it might be there. And I'm beginning to understand the value to a person's descendants of leaving behind papers and letters and pictures. Regardless of whether that particular teacher's name will be retrieved, I know that my dad was thinking ahead when he put each and every thing in that trunk. Thinking about a time when I might need to know something and he wouldn't be around to answer.

Night of Music

Next Friday night, I will be having my second photography exhibit at the Long View Center in downtown Raleigh. The theme of the show is "Music" and what a night of music it will be. Both Carl and I have chosen our best shots around the theme, there will be live music, and the storytellers that follow the reception at Tell It! will incorporate music into their stories.

The live music will be played by my husband; Frank, a guitar player who plays in a band with him; and Billie Jean Snuggs, a woman who has about the most beautiful voice I have ever heard. To hear her sing is to be moved to another sphere where sound is transformative. She sings from her heart and her soul.

Music has been an important part of my life. I love almost every kind except dirty rap as I call it, and have it playing from the time I get up to the time I settle in for the night. I listen to classical, soul, and New Age music most of the time, but will throw in disco and country and gospel when I need a lift.

I'm looking forward to this wonderful night of music displayed in our art, our spoken word, and with instruments and voices. It will be just the high I need.

In the Darkroom

Twice this month I've been able to go into the darkroom at Sertoma Arts Center. I've taken some old square black and white negatives that I found at my dad's house.

It takes about thirty minutes to get set up. My friend Jen has the chemicals ready, but I have to check my enlarger, timer, filter, and lens to make sure they're all working properly and are what I need for the negatives I'm using. There's always some kind of problem. For instance, last night, the enlarger I usually use had some kind of pink light coming down, and we couldn't figure out what was causing it. So I moved one station down. That enlarger had more light openings than I am used to so I had to fiddle with the dial so that I could choose F-stops in the mostly dark room. Then my timer was giving me four seconds for a three-second setting.

Finally I had everything ready to turn out the lights. I went into the lighted room and started looking through the negatives trying to decide which one to start with. I could tell that one of them was of children in their Halloween costumes, so I started with it.

Once you've chosen your negative, you put it in a slide carrier and focus it. Then you do a test print, exposing the paper to the light in three or five second intervals. You develop the test strip to find the best time and setting for the print. All of this takes anywhere from ten to twenty minutes. So by the time you actually develop your first print, you've spent around forty-five minutes in the darkroom.

There's nothing quick about the process. Your print takes one minute, one minute, three minutes, and three minutes in four different chemicals. On a good night, like last night, I may get four copies of four negatives.

I know I could just take all the negatives to a film processing place and get prints in a day. But there's something so magic about the darkroom process. In this case, I'm taking negatives from photographs my dad took over fifty years ago. He lined us up in our costumes or with our grandparents and great-grandparents, caught an uncle and baby cousin opening Christmas presents. One of the photographs I did last night is of a one-year-old me, sitting between my great-grandparents. Our love for each other shines through the print.

It is an act of meditation to develop pictures this way. As I said on Facebook last night, "In the darkroom, the past emerges."

Friday the Thirteenth

Normally, I stare straight at Friday the 13th and spit in its eye, but after yesterday, I'm gathering lucky pennies and four-leaf clovers and throwing salt over my shoulder next time one rolls around. Here's what happened:

Back in 2000, when things were rolling along nicely at our company, we splurged and bought a 1978 sport fishing boat. We named her Coatimundi after a reggae song we liked. Here she is:



The boat has about 200 SF on it. There is a salon/galley combination, a V-berth that sleeps two, a small bathroom with a toilet and a shower. We have used this little sweet boat so much. But lately with all that has been going on with my dad, we haven't been down much.

This weekend we decided to go, take the boat over to Bald Head Island, and have a little R&R. Time spent on the boat is time spent forgetting your troubles. So we packed food, clothes, linens from our last trip, books, videos, unread newspapers and left around 3:00.

When we opened the door to the boat, we realized that the AC wasn't working. The boat was hot and stale smelling. We decided to head on over to BHI and work on the boat there. When we disconnected the power cord, it was black like it had been burned. Not good.

The boat was shimmying and shaking on the way over and we figured the props were covered with barnacles from the boat sitting so long. We called the diver to come clean them. Easy fix.

At the BHI slip, we couldn't get the power to come on. We called the marina; no answer. Called the ferry terminal and they said they'd send over a supervisor. We were hot and getting grouchy and when he didn't show up after thirty minutes, we decided to head back to the home port. So we disconnected and untied and took off.

Once we were re-settled at the dock, we couldn't find the toolbox. Now remember, this is a space of around 200 SF and the toolbox is 2' x 3' at least, but it was nowhere to be found. So at 10:30 we headed over to WalMart and bought tools. I talked my husband into letting me buy a fan; he's always saying I'm going to sink the boat with all the things I bring aboard!

Back at the boat, my husband crawled into the engine room, which is about three feet tall. He has to be a contortionist to get into it, and I couldn't get in if the Yankees were coming. He got the AC running, but only warmish air was coming out. We waited, wiping sweat and swatting mosquitoes, but the air never got cool.

Around midnight, we realized that the AC wasn't going to work, and that without AC there wasn't going to be any R&R on the Coatimundi, so we packed food, bags, books, newspapers, DVDs, sweaty clothes and wet shoes into our air-conditioned car and headed home.

We arrived at 3 a.m., exhausted. Our cats were very confused. Audrey thought we were getting up for the day and stood at the door wanting to go out. Chippy followed us around meowing loudly as only a deaf cat can, ready for breakfast. We ignored them both, took our showers and fell into bed.

The good news is that it can all be fixed. The bad news? Have you ever paid to fix a boat? But I love that little vessel, and I'll forgive her one more time.

Something to Say

One of my faithful readers said she was worried because I haven't posted lately. I'm glad she missed me.

I haven't written because I felt that writing about my dad would be boring to you, and yet everything else seems too trivial to talk about. I'm busy, along with my siblings, with the business of the estate and cleaning out my dad's house and all the emotions surrounding that. I can go days without crying and then spend a day trying not to burst into tears at anything and everything.

Many times, I'll be crying, really crying hard, and the sound of my crying makes me stop. It feels foreign. I'm not familiar with it like I am the sounds of my voice or my laugh. That's good, isn't it?

Two months ago things seemed very scary. My dad was in the hospital with the broken hip, I had a questionable lump in my breast, and our business was in a very precarious situation. In their own ways, all of these things have been resolved. My father has died, but isn't suffering and never had to go a nursing home. He really lived until he died. My breast cancer has been removed and the next steps don't seem too scary. Our business is stable and we're busy. In the midst of the sad news of my dad's death, there is the comfort of friends and a new closeness between my siblings. There is the kindness of nurses and doctors. There is the support of my husband and children.

I see a picture of my dad or hear his voice on my answering machine and I just ache that I'll not see him again in this lifetime. But when the strangeness of the sound of my crying stops me, I take time to give thanks for where I am right now.

What's Important

I've spent the past two days cleaning out my dad's office and some of his house with one of my sisters and my brother. The box you see is just one of several boxes of cards and photographs and newspaper articles that my dad saved. Cards from us, articles about us, photographs taken when we all got together or sent to him.

In the cabinets, we found several such boxes of things that he got when his mother died, when my other grandparents died, when my great-aunt died. And in them, the same things: photographs, articles, cards, lists of people who brought food or made memorial donations. We've made a decision to throw a lot of it away, especially legal papers about things that happened in the past. Things like photographs of people we don't know and minutes from church meetings.

It has brought home to me that what means something to me, what I'm saving, the cards my children sent my dad, the church bulletins that he put in a drawer because one of the children was christened that Sunday, the newspaper pictures or articles about our family, may not mean anything to my kids. When I die, when my husband dies, they may go through the boxes of things I'm packing to bring home, look at everything perfunctorily, and decide they don't need to keep those things anymore.

It has made me ask how long something carries meaning for a family. Two generations or three, four at the most. There have been a lot of things I've thrown away fairly easily, but some of it I need to keep. For my children to keep or throw away.

I will say that the most meaningful things we've found are letters. And I wonder what people will find meaning in now when emails are the main form of communication and we delete them after we read them.

It has been a rough couple of days, but I've learned a lot about what I think is important. I appreciate my dad keeping all those things, so I could decide.

Let's Change the Subject

I haven't been able to think of much to post about that didn't have to do with my dad, but I've thought of something: MUSIC! Now you all know how much I love music, and I spent most of last Sunday listening to my husband's gospel band play at two different churches. Some time ago, on this blog, I mentioned that he sings "Stand By Me" and this seems the perfect time to post this YouTube video of him singing with two wonderful backup singers. On one of my computers, it played fine; on my laptop it had some streaming issues; but you'll get the idea.

This song is so meaningful to me right now because he has been a rock for me during the past two or three months. He has been under the same stress that I have, with work and my breast cancer and the death of my father, a man he loved and admired, but he has been there 100%. For me.

Standing tall by me.

Place of refuge

I never lived in the house that my father lived in when he died. The family moved there forty years ago, when I was a freshman in college.

During the two weeks that we stayed there last month, I made one of the bedrooms into a refuge. I brought my computer, my IPod, a few books to read, my journal. My husband brought me one of his copies of The Runner's Bible, and I put it on the bedside table. I had a fan to drown all the noises of the house. I hung my clothes in the closet with our old prom dresses and my mom's furs, and wedding presents from the seventies. I put my makeup and vitamins and hair spray on the dresser. Every morning I opened the shades to let the sun in, and every night I closed them for privacy.

When I would get home at night from the hospital, I would be totally buzzed. Literally vibrating. Tired, sad, worn down to the bone, I would enter that room. The music would be playing, the fan would be blowing cool air. In bed I would meditate or read or whatever it took to calm down.

This room that had never been mine became mine so completely that I didn't want anyone to come in. I was as protective of that space as a teenage girl with a room full of secrets. It became my room in a house where I'd never had a room.

I'm grateful that I had that safe space during such a troubled time.

Re-alignment

I guess you noticed the new look on my blog. I tried it on for size and now, though not completely happy with it, can't figure out how to get the old look back.

This is what my life feels like right now. There's been a change and I can't make it go back to how it was before. Every morning I get up and I think, My father is dead. In my mind's eye, I see him coming in from my driveway in his flannel shirt and corduroy pants, limping a little, carrying pimento cheese or oranges or a DVD he's made for me. I listen to his voice on my voice mail saying, "You don't need to call me back. Talk to you soon. Love ya," over and over. The church calls and asks could donations go to new choir robes and I remember the funeral, his seat in the choir draped with his robe, and I lose it.

People say, "He had a good life" and "You're so lucky he didn't have to go to a nursing home" and I know this is true, but I want to scream back that that isn't a consolation. I'm in this little cocoon; I don't want to talk to people about him or have visitors bring things.

My dad wasn't perfect. There were years when I was so irritated by him that it took a great deal of control to be nice to him. But in the past few years he was the father I've always wanted: kind, wise, compassionate, gentle. And that's hard to give up.

I won't belabor my sadness here. Others' mourning is not interesting. But I'm just going to say this and be done with it: I miss him. Damnit.